Written while in residence during the summer of 1985 with the Relache Ensemble in Yellow Springs, Pa. Premiered by the Relache ensemble at Yellow Springs, PA., 7/85. Notation is similar to Ritual of the Dawn in that performers often read from boxes of motives; boxes in which they have choices as to when to play, what order to play in, etc., resulting in a fluidity of sound.

 

Texts are from Ancient Nahuatl (pre Columbian) language, which was rich in poetry. Texts are anonymous, translated in the 1880s by D. Brinton. They typically depict the dichotomy between harshness of this life with the promise of a better one in the hereafter, with the emphasis on appreciating the beauties of this life since it is so brief and fleeting.

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Seven of the eight verses were chosen. The translations follow:

1. In the place of tears I the singer watch my flowers; they are in my hand; they intoxicate my soul and my song, as I walk alone with them, with my sad soul among them.

3. In this spot of turquoise and emerald, I think upon beauteous songs, beauteous flowers; let us rejoice now dear friends; for life is not long upon earth.

4. I shall hasten forth, I shall go to the sweet songs, the sweet flowers, dear friends.

5. O he! I cried aloud; O he! I rained down flowers as I left.

6. Let us go forth anywhere; I the singer shall shall find and bring forth the flowers; let us be glad while we live; listen to my song.

7. I the poet cry out a song for a place of joy, a glorious song which descends to Michtlan and there turns about and comes forth again.

8. I seek neither vestment nr riches, O children, but a song for a place of joy.

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The free materials provided here (complete parts and score) will enable a performer to realize a complete performance. All I ask is that you send me a program as attachment at pbmclean2@gmail.com.

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In the Place of Tears is © 1986 Barton McLean